Pocahontas Retrato
Pocahontas
01 Anónimo,
Autoría desconocida.
No
01 Óleo sobre tela
www.npgportraits.si.edu/
National Portrait Gallery
United States
Washington
United States
Washington
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Retrato
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Retrato femenino
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Mujeres indígenas
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Pocahontas, the Indian princess who allegedly saved the life of English colonist John Smith, survives and flourishes as an example of an early American heroine. While Smith may have embellished the story of his rescue, the importance of Pocahontas to relations between colonists and Native Americans is undisputed. Following her conversion to Christianity and marriage to Englishman John Rolfe, Pocahontas journeyed to England with her family to demonstrate the ability of new settlers and native tribes to coexist in the Virginia colony. While in England, Pocahontas sat for her portrait, which was later engraved. That print served as the basis for this later portrait. The painter included an inscription beneath his likeness, copied from the engraving, but through an error in transcription misidentifies her husband as Thomas, the name given to their son.
| Cartela |
| Indígenas |
| Mujer |
Sin definir
Retrato secular y religioso
Sin donante
Varios iconotextos
Imagen al natural
PRINC: POWHATANT %%% VIRGINIA %%%
Alatis sue 21. A 1616
Maloaks ate Rebecka daughter to the mighty Prince Powhatan Emperour of Attanoughkomouck ats Virginia converted and baptized in the Christian faith and Wife of the "Wor" M Tho Rolff
| Abanico |
| Joyas |
| Pluma |
| Edad: adulto |
| Escena: simple |
| Género femenino |
| Personaje individual |
| Personajes: Profanos |
La cultura barroca es gestual. El gesto complementaba la comunicación visual con gestos de oralidad, de modo que las pinturas “hablaban”. La siguiente información trata de reconstruir la cultura gestual quirológica y quironómica a partir de los tratados y de las frecuencias gestuales en la pintura colonial.
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01 Posición: de Pie |
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