Eleanor Nightingale Retrato
Id:11218
Eleanor Nightingale
Smibert, John
Fecha: 1727
Smibert, John
Fecha: 1727
42.362603
-71.054077
32.787653
-96.800752
Eleanor Nightingale
Smibert, John
1728-1751
1688-1751 Born in Edinburgh, John Smibert worked as a craftsman and copyist in London before traveling to Italy to develop his artistic skills. In 1729 he arrived in Boston to join the philosopher George Berkeley in establishing a university in Bermuda. When these plans dissolved, Smibert established a painting room, an artist’s supply shop, and a gallery that displayed his copies after important European paintings. Even after his death, his studio remained and nurtured American artists from Robert Feke, John Singleton Copley, and Charles Willson Peale to John Trumbull and Washington Allston. The artist’s second recorded composition made in Boston, this portrait of the widowed Catherine Page Brinley Lyde (1663–1755) is typical of his earliest American works.
No
01 Óleo sobre tela
www.museum.dma.org
Dallas Museum of Art
United States
Boston
United States
Dallas
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Retrato
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Retrato femenino
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Europeas y criollas
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Posición sin objetos
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| Cartela |
| Columna |
| Cortinaje |
| Mujer |
Terrestre / Interior casa-habitación
Retrato secular y religioso
Sin donante
Inscripción
Imagen al natural
| Edad: adulto |
| Género femenino |
| Personaje individual |
La cultura barroca es gestual. El gesto complementaba la comunicación visual con gestos de oralidad, de modo que las pinturas “hablaban”. La siguiente información trata de reconstruir la cultura gestual quirológica y quironómica a partir de los tratados y de las frecuencias gestuales en la pintura colonial.
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60 QL3 06 QN3 XX Indico-Indigitat (Señalo) - Gesto de mando, orden, indicar, reprender, advertir. |
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18 QL2 18 Data Fide promitto (Comprometo mi fe) - a pesar de dificultad, confirman compromiso, tregua, promesa. |
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